Kingdom of Little Empires

5 Oct

Live Review

Live Photo taken by Ying

I guess it could be one of the reasons that made me arrive one and a half hours early for the gig, Kingdom of Little Empires. It’s such an inspirational day with the warm sunshine and I’ve been waiting for ages. After facing the Brisbane River for a while and finishing one bottle of beer, I take a little walk and start observing the Turbine Platform, where  I’m about to hear Snakadaktal, Albert Salt, Danika Smith and Stonefield. With a quick flash back of the news I have so far, it’s glad to see Stonefield, the 2010 Triple J Unearthed High winner, bring their huge stage show home after heading to the UK’s Glastonbury Festival.

Dom Alessio from triple J once commented on their psych-rock styled music:

“This is why these sisters are the best high school band in the country. So much maturity in their song writing at such a young age. And it rocks, plain & simple.”

Well, besides the growing popularity of Stonefield, this live is also a great touching point to witness how the young winner in 2011 Unearthed High competition, Snakadaktal and other two fresh finalists, are going to impress audiences. Wondering if it’s just like what Triple J presenter Nina Las Vegas describes on Snakadaktal’s indie pop tune Chimera

“Such a simple song with so many great ideas within”.

With a light testing plucking staccato sound coming from the show room, the atmosphere in the Powerhouse seems to be really heated, turning its historical sense into a vivid music craze.Snakadaktal isn’t doing too bad on the live stage, regardless of their age. How to digest the overwhelming fact from high school student to musicians that are capable of controlling their official music journeys can be a tough job. The band’s guitarist, Sean Kelly said in an interview when he heard they won the competition:

“This is really overwhelming. I’m just shocked, wow thank you all so much. I’d like to thank pretty much everybody that we know, all of our friends and family and our school. Thanks to everybody for being nice to us and listening to our music even the people that hate us.”

Besides their refreshing indie pop style, taking an overall angle of their stage experiences, I have to yell, what an unpolished diamond!! It is such a pity that audiences have to bear an extremely bad quality microphone which probably gave them a hard time of keeping their passion alive. The strategy is not quite worked for audiences when Sean (the voice) tries to ease the atmosphere with his prologue “Errr, we are here to play some songs for you.”

Recalled by Albert’s performance, somehow, I can’t help remembering the sentence I’ve read at some point

The world rushes on over the strings of the lingering heart making the music of sadness.”

Albert did a great performance to recall audiences’ most soft parts of their heart, falling into his music world by his talented mixed use of alternative rock, jazz and acoustic styles. The song Beaumont Child, is one of the best examples to describe Albert Salt and his music.The interesting thing was, I did not realise it was Danika sitting right beside me until she got on the stage. My first impression was that she didn’t that care about her outside image to be recognised or being stand out from other teen age girls.  She kept a very low profile among the crowds. However, it doesn’t mean her music is on “average”. Oppositely, it’s an amazing bloom of her “life” she wrote and sang about. Danika claimed her band was quite new, the Bassist had only began learning the instrument 3 days ago, and the other two members just joined a week before. But all the elements and facts didn’t bother too much for delivering what they tried to communicate with the audiences. She may be a little shy when talking in front of audiences, but as soon as she sang, you would notice she was the queen on that stage and people started falling in love with her voice. The song oh Father and you matter to me are the best examples of Danika’s music inspiration from her life’s story.

“Check, Check, Check, One Two” 

“Check, Check, Check, One Two”

It’s Stondfield giving their microphones a test, meanwhile all of a sudden, people get to stand up and head to the nearest part of the stage which just show a completely different situation. I am pretty sure some of them are about to get high.

Starting with Lead Vocals Amy’s powerful penetrating voice, their psych-rock music leads people into a music heaven with 100+ decibels of uninterrupted rock and roll. You feel your heart beating along with every single beat that dramatically fill in the Turbine Platform. It’s impossible to hear a word you say, but I am a good mouth reader

“Fucking love you guys” or someone just like “Arrrrrrrrrrrrrrrrrrrrr!!!!” lasting for quite a while.

In my personal opinion, I agree Stondfield achieved an outstanding performance along with their great control of the stage and interactivity with audiences. Stonefield bought an unforgettable closure for Kingdom of Little Empires.

After they came back on for the encore, I take a deep breath of fresh air outside, a little dehydrated but satisfied.

 

 

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